CMU-TV launch party celebrates new website

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In celebration of their recently-completed website, Colorado Mesa University’s CMU-TV threw a launch party, open to students and faculty. Kicking off on Friday, Oct. 18, proceeds from the event directly benefited the Roice-Hurst Humane Society.

Quaid Hamilton, Mia Shumway, & Brenna Rhiness.
Elias Born for The Criterion

Featuring raffle prizes, kittens and karaoke, the launch party provided food and Palisade Brewery provided beer. Tickets sold out.

“It was a lot of work, lots of planning in advance, trying to go out and find businesses [to sponsor] prizes,” Station Manager/Programmer Jerry Peralta said.

Prizes for the raffle featured coupons for local businesses, with the crown jewel being a $300 tattoo from Justin Nordine (whose work can be viewed here) at the Raw Canvas.

One of the biggest raffle prizes was for a $300 tattoo.
Elias Born for The Criterion

“Now instead of having to go to YouTube, you can go to our website to see our videos, learn about content producers and their positions here and [see] a bunch of cool stuff on there,” Content Producer Justin Platt said.

Karaoke was a popular event at the party.
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“Looks like everybody’s having a good time, we’ve had a couple [people doing karaoke], we’ve had some prizes given away, we’ve got kittens in the back,” CMU-TV General Manager Quaid Hamilton said at the event.

About the kittens. Editor-in-Chief of Horizon Magazine Jenna Kretschman has been helping trying to get them adopted. 

Kittens found living in the concrete ramp at Lowell Heiny Hall are getting ready for adoption.
Elias Born for The Criterion

“I have [. . .] foster kittens here, because the proceeds of this party go to the Roice-Hurst Humane society, so I’m showing people where their money’s going,” Kretschman said. “These are the kittens that I found living inside of the concrete ramp at Lowell Heiny [Hall] a few weeks ago, and they’ll be ready for adoption in about a month or so.”

CMU-TV’s website can be visited here.

Image courtesy of Elias Born | The Criterion